This series of work consists of large archival transparencies made from pinhole photos taken of urban vistas under the expressway. These were then encased in clear lucite panels with added fluorescent lighting and stainless steel frameworks/hardware. The massive columns of the expressway contrast with weeds and trash, and the panels of clear lucite have the ethereal, lacy, drippy forms of graffiti seen on panels at bus shelters and on windows.
