This series of work consists of pinhole photo transparencies encased in clear panels of acrylic with fluorescent lighting and stainless steel framework. The urban vistas in the pinhole photos are both desolate and beautiful - the massive columns of the understructure of I-95 contrasting with the weeds and trash. Reinterpreted on the panels of clear acrylic are the ethereal, lacy, drippy forms of graffiti - the acid-itti and scratch-itti seen on panels at bus shelters and windows.
